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Kåreland, Lena , Litteraturvetenskapliga institutionen, Uppsala universitet organization Comparative Literature publishing date type Thesis publication status published subject Languages and Literature keywords General and comparative literature , Betty Cavanna , Annik Saxegaard , Mary Stolz , Merri Vik , Elsa Nyblom , Anna-Lisa Lundkvist , Martha Sandwall-Bergström , Claque , Astrid Lindgren , reader inquiries , Alastair Fowler , genre studies , the after-war period , girls' fiction , children's literature , Allmän och jämförande litteraturvetenskap , Scandinavian languages and literature , Nordiska språk språk och litteratur in Skrifter utgivna av svenska barnboksinstitutet volume 92 pages pages publisher Makadam förlag defense location Humanisthusets hörsal, Helgonabacken 14 defense date Please use this url to cite or link to this publication: The old girls' and boys' books were replaced by "the modern book for young people", which, it was proclaimed, should be up-to-date, discuss real problems, break taboos, and appeal equally to girls and boys. In research and in historic surveys, most of the attention has been paid to this new genre, while girls' fiction from the after-war period is either hardly mentioned, . We're taking a closer look at so-called sexual cleansing in Malawi. One HIV- positive man has been arrested after parents paid him to have. Later, Bill Gates' Microsoft boys and girls admitted that they had probably paid a premium on their Google share, suggesting they actually could have been able. paid girls Llindaa23 development and human relations were important themes, but the major part of the genre web site porn more with adventures, every-day trouble, professional or spankwire work, or depicting foreign cultures. My investigation includes all books which were regarded as girls' fiction by contemporary editors, reviewers, book sellers or authoritative handbooks for parents. It dealt with serious problems like war, racism, alcoholism, divorce and death. 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It dealt with serious problems like war, racism, alcoholism, divorce and death. The old girls' and boys' books were replaced by "the modern book for young people", which, it was proclaimed, should be up-to-date, discuss real problems, break taboos, and appeal equally to girls and boys. Personal development and human relations were important themes, but the major part of the genre dealt more with adventures, every-day trouble, professional or other work, or depicting foreign cultures. The theoretical base for my approach is Alastair Fowler's view that a genre is not a list of criteria, but a family likeness functioning, in a certain community at a certain time, as a pre-understanding of the text, a background against which the text is read. On the whole, the protagonists were strong characters who solved problems with enthusiasm and competence. Please use this url to cite or link to this publication: In Sweden this was a turbulent decade when society changed in many ways, and equality between the sexes was a key word. Romance was a common subject, but the girl protagonist mostly did not surrender to the man she loved, but kept the power over her life. In research and in historic surveys, most of the attention has been paid to this new genre, while girls' fiction from the after-war period is either hardly mentioned, or described with contempt. paid girls

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